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Mozart : Requiem (Orchestre national de France / James Gaffigan)
04 de enero de 2023James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.

Khatia Buniatishvili - Grieg - Piano Concerto in A minor - Sokhiev
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The collapse of major US banks leads to bills calling for more regulation
The Conversation asked Gerard W. Comizio, a law professor, former Wall Street attorney and former senior Treasury Department official, to explain some of the problems that spurred Silicon Valley Bank, Signature Bank and another bank to fail.

Participation income: the social welfare model that could help communities fight climate change
Innovative models of social security are especially important for people who may not be able to find green jobs, or households and communities with limited resources, who may not have the time or money to adopt energy-saving technologies or a climate-friendly diet.

Alzheimer’s disease: problems with the brain’s energy supply could be a cause
Dementia is a complex disease. This may mean there isn’t a one-size-fits-all cure for it. It could be the case that we may need to target multiple different mechanisms in order to treat the disease.

Calls for a ‘green’ Ramadan revive Islam’s long tradition of sustainability and care for the planet
These efforts are but a few of the diverse ways that Muslim communities are addressing environmental impact. The greening of Ramadan fits into a broader conversation about how often communities can tackle climate change within their own frameworks.

Casey review: key steps the Met police must take to address its institutional racism and sexism
Baroness Casey has recommended that the Met be given one last chance to reform, or risk being completely restructured. Yet the Met has already had ample chances to change since its first so-called “reforming commissioner” in the 1970s. Now, both officers and the public are fed up and disgusted.